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The first works (birth) are composed of eggshell. The
next works are canvases painted in acryl and mixed media combined with metals processed
with acids. The resulting colours orange and carmine stand for adolescence and maturity.
Burnt wooden panels refer to our own mortal body, which as the wood - will
gradually perish through oxidation. Our bodies are only temporarily protected by a
wrinkled skin, for which the artist uses bitumen. The series evolves in colour pattern
from an almost absolute white through glowing orange and carmine to the deep brown of
autumn, a symbol of old age. It eventually ends in black rubber, elastic and yielding to
almost any individual interpretation. The abstraction of these works allows the viewer to
interpret the works as he thinks suitable.
Mental interaction
However impressing this series of life, it is only a
preamble to the essence of this project: mental interaction between viewer and author. The
visitor is encouraged to literally climb out of the daily bustle by way of a turning steel
staircase and through a work of art. The viewer is invited to sit down between the
starting point and the final point of his life, symbolized by eggshells and burnt organic
material (wood). Through a set of earphones the visitor can now listen to several
philosophical theses. Here he can reflect upon his personnal answer to the question:
"what is the meaning and the sense of my life?".
The book as a home-version
The exhibition is completed with the book "Causa
Vitae", published by Stockmans. The book is an instrument to continue and complete the
mental process at home .
The artist Mark Swysen
The essential theme of Swysens work is human
behaviour and the way in which man confronts life and his surroundings. Whereas each of
his works shows very strong emotions, the entire project breathes an air of scientific
tactfulness. The artist himself contends that he became an artist because that would allow
him to communicate his theses on man without having to scientifically prove them.
"Quo Vadis" is a new project which the artist will be exhibiting in the
"Landscommanderij" in Alden Biesen, cultural centre of the Flemish community.
"Quo Vadis" encourages the visitor to thoroughly consider national borders,
migrations of people and cultural integration (or the lack of it).
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